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The recognition of a qualitative nature of the material is chiefly due to the impressive phenomenon that the colors and pigment are than they are painted on the surface of the paper material.The delicate combination of the pigment and paper in qualities reveals the artists conspicuous attention in the particular nature, touch of quality and physical nature of the paper material.

Such an effect from this end is especially remarkable artwork with irregular surface, non-fixed shape and thick hand-made paper materials. Consequently, an indirect approach to the canvas and attitude are of her very conviction of availability of indiscriminate application of material and integrated perception.

It has been denoted that her indirect approach to material is also significant in the method of coloration, That is to say the coloring method by adding pigment on the back side of the surface of painting so that it would infiltrate and spreaded to the front side.

Her unique method tableaux, Baekchae Method, also is closely related to material quality of Korean drawing paper, which is compared with the method of direct addition of pigment on the surface of material.

As a matter of fact, her unique method will become much more effective when it is applied to rather irregularly formed surface of paper of hand made.

As already described, the particular painting method of adding pigments on the opponent side of the paper expecting the color spreaded out the other side, and also by covering paper even on the front side of the drawing paper she(한국화가 송수련,한지화가 송수련,송수련 화백,宋秀璉,SONG SOO RYUN,송수련 작가,Hanji Painter SONG SOO RYUN,한지작가 송수련,종이회화 송수련,여류중견화가 송수련,KOREA PAPER ARTIST SONG SOO RYUN, KOREAN PAPER ARTIST SONG SOO RYUN)has evaded the pigment added directly on the surface of the paper.

△Koh, Choong Hwan/Art Critic

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